FILM REVIEW: WENDY & LUCY

  Wendy & Lucy is a film that could be renamed “A Street Dog Named Lucy.” I tells the story of a homeless and nomadic American woman and her faithful companion, a dog named Lucy. The story is a slow character study that is lacking in characterisation, drama and detail. The story is directed by…

FILM REVIEW: THROUGH THE REPELLENT FENCE: A LAND ART FILM

  As Donald Trump continues promoting his idea of building a wall between the US and Mexico it’s heartening to see that there are some people taking a different approach. Through The Repellent Fence: A Land Art Film is a documentary about a land art installation that attempted to reinforce the notion that borders are…

FILM REVIEW: ALONE IN BERLIN

  Alone in Berlin is a story from the Second World War and the recent film adaptation means it is likely to be condemned to the history books. The film is based on the international best-selling novel, Every Man Dies Alone, a book about real-life Berliners Otto and Elise Hampel. The film is a slow…

FILM REVIEW: DAVID STRATTON: A CINEMATIC LIFE

  David Stratton is the doyen of Australian cinema. He is a respected film critic who has watched in excess of 25,000 films, peed on Fellini and entertained Australians for decades through his movie reviews with sparring partner Margaret Pomeranz. David Stratton: A Cinematic Life is a documentary about his life and brilliant career and…

FILM REVIEW: MISS SLOANE

Miss Sloane could be renamed, “Ms Stone.” The film is about an ambitious and icy woman who acts as a lobbyist for a firm that is advocating on behalf of a gun control bill in the States. It’s a tense, political drama with as many power-plays, twists, turns and slights of hand as The Ides…

FILM REVIEW: A STREET CAT NAMED BOB

  A Street Cat Named Bob is the heart-warming and feel-good true story about a young and homeless recovering drug addict living in London with his cat. James Bowen (played here by the occasionally whiny Luke Treadaway) is down on his luck, busking in Covent Garden and living in public housing until a chance meeting…

FILM REVIEW: ROSALIE BLUM

  French film Rosalie Blum is a new adaptation of the graphic novels of the same name by Camille Jourdy. It’s a quirky dramedy told across three separate parts, taking in the different viewpoints of three separate characters. In act one we are introduced to Vincent Machot (Kyan Khojandi). He is the king of predictability,…

DVD REVIEW: FATHERS & DAUGHTERS

  Fathers & Daughters is a sentimental film that shares a few things in common with a Nicholas Sparks movie. The story is a rather saccharine one where the love between a father and a young daughter and the same girl when she is all grown up with her new beau is explored and marked by…

ITUNES REVIEW: THE SWEET ESCAPE (COMME UN AVION)

  There has been a lot said about the importance of the journey over the destination. Sometimes the trip teaches you more than the end point and some people have likened life to a journey. The French film, The Sweet Escape (Comme un avion) seems to capture all of this. It’s a rather aimless romantic comedy…

DVD REVIEW: THREE HEARTS (3 COEURS)

  Three hearts. Two love stories. One film. Three Hearts (3 Coeurs) is a French film involving a love triangle. But this is not your standard challenge for romance. The two women vying for the man’s affections are actually sisters. What ensues is a subtle and nuanced drama that reflects on chance, destiny and a…

iTunes Review: The Escort (Film)

  If you combined parts of Pretty Woman’s plot with two characters using each other not unlike those in How To Lose A Guy In 10 Days then chances are you’d get The Escort. The film is a rom-com about two unlikely people finding each other. While the film is not an original one and it is…

FILM REVIEW: LOVE THE COOPERS

  Bah, humbug. Love The Coopers was supposed to be a warm-hearted and pleasant, Christmas ensemble movie about one dysfunctional family. Instead, the film is the equivalent of an empty gift box. It appears fine, nice even, but inside it is completely hollow. This film is the first one to be directed by Jessie Nelson…